John Lasseter Discloses About Secret Winery for brand new

Everyone knows thatJohn Lasseter, who's set to obtain a star November. 1 round the Hollywood Walk of Fame, built the animation giant Pixar. He and also the wife, Nancy, created the Lasseter Family Winery inside the Sonoma Valley remains something from the secret -- to date. Only a few years back, the happy couple's wines were distributed at charitable organization occasions and offered in a tiny amount utilizing a customer list. Within This summer time, the happy couple went professional, having a publicist, getting representation from entrepreneurs covering eight states and speaking regarding side business the first time. But carrying out a good 11 years of operation, you now request ,: Why lift the embargo now? "It's just like John's films he won't speak a factor until he finds all the regions of his story," describes Nancy. "John jokes the winery is my movie. Now we could talk. Our vino is prepared -- everyone knows the story.Inchour editor recommends'Cars 2' Director John Lasseter Defends Film, States Follow-up Wasn't About MerchandisingJohn Lasseter Honored at 2011 Shorts AwardsDialogue: John Lasseter'Cars 2': How Pixar Used Its Ace Within The Hole on CGI Follow-up Aaron Sorkin States Jobs Asked for Him to produce a Pixar MovieSteve Jobs' Dying: Pixar Pays Tribute With Webpage Takeover'Cars 2' Toys, Disney Princesses Help Drive Mattel's Third-Quarter Results PHOTOS: Toy Wars: Fight in the Blockbuster Selling Producer-director wine-making is not a brand new phenomenon, especially among Lasseter's pals. Francis Ford Coppola is regarded as the visible he produces of a million cases yearly, and also the high-finish estate winery, Inglenook, can get upward of 45,000 site site visitors yearly. George Lucas is regarded as the veiled, along with his Skywalker pinot shrouded in mystique. He seeks no publicity, allows no site site visitors and makes only 600 cases yearly. The Lasseters straddle the street. They've recently ramped up production with a boutique-scale 6,500 cases yearly and possess quietly built fans, getting offered within the White-colored House Correspondents' Association Dinner and also on such La lists as Michael Mina's XIV, Drago Centro as well as the box seats within the Hollywood Bowl. However vineyards only might be visited by people inside the wine conduct business with visits. Around the property in Glen Ellen, having its 27 acres of vines, Nancy's imaginative design flair (she examined graphics at Carnegie Mellon) is proven in their wild idea to alter a stainless-steel fermentation tank in to a luxe outhouse too as with the chandelier in the heart of the economical vat room. John, 54, was one hundred percent responsible for the vintage steam train, the Marie-E, puffing using the syrah vineyard -- it once belonged to his mentor, Ollie Johnston, among Disney's original artists known to as Nine Old Males. More youthful crowd continues the web site the 1964 Ford Falcon that inspired Cars. "I'm a sizable kid," states John, who drives his Mercedes-Benz E55 approximately one hour each approach to be employed in Emeryville each day. "I learned I never required to develop. I have one of the finest toy collections -- Pixar -- and Nancy is very tolerant of my toys in your house.In . STORY: Disney Announces Two New Pixar Projects Selling vino is one challenge for your couple, privacy is an additional. "We must stop people from throwing scripts inside the fence," states Nancy, 51. "My staff sees that something that's obtainable in addressed to John can get returned." One of the changes the Lasseters would like to brag about may be the new labels. "Every one of these notifies an account in regards to the wine," states Nancy. "Round the syrah might be the Marie-E." She highlights the floral label for just about any blend based on a typical grape, malbec. "I'm the wild Irish rose," Nancy states. "As well as the bee -- well, that's John's first animation, Wally B." On her behalf, it creates the moment they met at the begining of eighties inside a Siggraph computer graphics conference while John was utilized by Lucasfilm. She grew to become an associate of Apple a few years later, and so they increased being close to Jobs ("I had been like brothers and sisters," John states.) In 1992, when the family (which might grow to include five boys) found live in Sonoma, Nancy's housekeeper needed her where you can her own hill full of zinfandel vines. Nancy came back a sticky mess and gushed to her husband: "John, you have to include me. It's fabulous!" They switched amateur vintners, employing their good pals Marcy and Tom Smothers' nearby winery. ten years later, Nancy suggested related to feelings . obtain hobby to destroy even, and so they bought the old Grand Cru vineyard, the web site from the well-known 1989 mass murder. Asked for whether they ever doubted their decision, Nancy states, "Sure, i had been concerned, however were built with a energy healbot can be found in and search the region out." STORY: Jobs Appreciated By Disney, Pixar Professionals They provided sure diversely too. Viewing themselves as stewards, the Lasseters hired famous organic viticulturalist Phil Coturri to change the land. "After Grand Cru, the land had opted for the Chalone Group," states Coturri in the huge multi-vineyard operation. "I like the family with values like the Lasseters bought back a business winery. They are interested in quality and tradition, not just the conclusion.In . They've created your wine with veteran Sonoma-based oenologist Julia Iantosca, which further reflects the Lasseters' sensibility -- she's recognized for making classics, not cult-chasers. "The Lasseters desire to make blends," states Iantosca. "That is brave because the the typical understanding is always to make single varietals." It is also the old strategies by California -- where balance familiar with matter greater than costly -- which resonates while using couple. For the extent they can, John is very associated with mixing options, design and dealing the harvest. "A Few Things I mostly love relevant for this existence might be the total amount it brings," according to him. "I like being this close to agriculture -- it's very grounding. Individuals are very. I like the Sonoma wine community. It's like Pixar -- nothing competitive, only encouraging. They're always rooting to suit your needs.In . WALK OF FAME When: Tuesday, November. 1 Where: 6834 Hollywood Blvd., as you're watching El Capitan Theatre GuestSpeaker:Bonnie Search Related Subjects John Lasseter Pixar 1 2 next last

'Puss in Boots' should pounce on B.O.

"Puss in Boots" opens day and date inside the U.S. and Russia. Your family market, underserved formerly 5 days, could bring large Halloween-weekend B.O. for Vital-DreamWorks Animation's 3d toon "Puss in Boots." Exactly how large the take is will depend on when the film can extend its pawprint to auds beyond parents and tykes. Componen requires a bow for "Puss" round the mid-$30 millions, though other B.O. bloggers the film could achieve somewhere north of $40 million. Also bowing wide, last century Fox's high-concept actioner "Over TimeInch opens at 3,122 locations, while R-rated The Actor-kaira Pitt starrer "The Rum Diary" launches today at 2,272 Stateside engagements via FilmDistrict. Pre-weekend monitoring signifies "With Time,Inch known as for just about any $12 million-$15 million opening, posseses an edge over "Diary," which likely will settle at between $8 million and $11 million through Sunday. The brand new the new sony will dsicover how effective its scaly-back release plans for Roland Emmerich's "Anonymous," which launches at 265 locations, use be. The studio made a decision early the other day to bow the film in limited release instead of taking a large rollout. Overseas B.O. will looks being centered by "The Adventures of Tintin: The Important Thing in the Unicorn," following Vital and Sony's early launch in the film abroad (see separate story). Componen is beginning "Puss" day-and-date while using U.S. in Russia, where 3d figures, specifically the "Shrek" franchise, have shipped large box office. The "Shrek" spinoff, allotted at $130 million, should have considerable Stateside success. The film is poised to exceed previous Halloween weekend record holder "Saw III," which bowed in 2006 with $33.6 000 0000 in your area. Though Halloween usually isn't a really large weekend within the box office, the holiday falls around the Monday this year, clearing trick-or-treaters to visit plexes, though pre-Halloweeen activities will still occupy families. A five-week drought of fresh family fare also bodes well for "Puss." The ultimate family film to bow inside the U.S., "Dolphin Tale," opened up as much as $19.2 million, the identical weekend as Disney's 3d retrofit of "The Lion King," which won within the second outing with $21.9 million. That pic far exceeded industry anticipation throughout its debut frame, scoring north of $Thirty Dollars million and gathering almost $93 million so far. Both "Lion King" and "Dolphin Tale," getting a cume of $60 5 million, accomplished good success from inadequacies in family product available on the market, as did DreamWorks' "Real Steel," which has attracted in nearly $70 million since its March. 7 bow. It's unclear simply how much 3d tests will boost overall totals for "Puss," beginning at 2,827 3d locations, or 72% of the total 3,952 engagements. "Lion King" acquired 91% of the opening from 3d, though that pic was marketed just like a 3d event. "Puss" likely will uncover an identical or slightly better opening 3d share as "Dolphin Tale's" 50%. Mostly positive early reviews might help the DWA toon broaden to adult auds. Fox's "With Time,Inch allotted around $40 million, has most effective interest among older males over 25, that has a lot more support from both males and girls under 25. From author-director Andrew Niccol, "With Time,Inch starring Justin Timberlake and Amanda Seyfried, notifies the story from the near-advanced society where its individuals don't age past 25. Pic will have to compete for teenage auds with Par's soph-sesh holdover "Paranormal Activity 3," which bowed above anticipation at $52 million. "Rum Diary," which FilmDistrict acquired rights to last spring, set you back a reported $45 million, produced by GK Films. Based on Hunter S. Thompson's semi-autobiographical novel, "Diary" should attract fans of Depp additionally to site visitors in the late renegade journalist. FilmDistrict pre-examined "Diary" strongly attending school metropolitan areas, including Austin, Texas, and Berkeley, Calif. In limited release, Componen is beginning Sundance's grand jury champion "ConstantlyInch with the studio's Componen Vantage label. Pic opens today at four locations in NY and L.A., getting a soph-sesh expansion into the top U.S. areas. Fox Searchlight, meanwhile, develops "Martha Marcy May Marlene" to 32 locations carrying out a effective launch last weekend. Wall Street-designed thriller "Margin Call," from Kerbside Sights, is broadening to 140 playdates, greater than double pic's opening count. Contact Andrew Stewart at andrew.stewart@variety.com

Stockard Channing Reflects on Her Unintended Life as an Actor

Stockard Channing Reflects on Her Unintended Life as an Actor By Simi Horwitz October 26, 2011 Photo by Sebastien Piras Stockard Channing An acting career was not part of Stockard Channing's well-heeled Upper East Side world. She attended posh boarding schools and majored in history and literature at Radcliffe College with her sights set on being an educated wife and mother.She performed a bit in high school and college but largely accepted her family's notion that acting was, well, not exactly respectable as a profession and surely an insecure way to live. But when Channing found herself starring as Jenny in a Harvard University production of "The Threepenny Opera," the experience was revelatory. "It was opening a Pandora's box," she says, recalling her joy in discovering a creative purpose, audience reciprocity, and the heady sense of empowerment. "I found I could do things I didn't know I could do. It all came together."Since that time, and more than a bit of struggle in between, she has received a Tony Award and five nominations, three Emmy Awards and 11 more nominations, an Oscar nomination, and three Golden Globe nominations, among other honors. Perhaps best known as the highly accomplished thoracic surgeoncumfirst lady Abbey Bartlet on "The West Wing," she has also tackled the imperious socialite Ouisa Kittredge in "Six Degrees of Separation" (film and play); the multilayered, anguished Judy Shepard in the TV movie "The Matthew Shepard Story" and the sophisticated, world-weary Vera Simpson in "Pal Joey" in the 200809 Broadway revival. Currently she stars on Broadway in Jon Robin Baitz's "Other Desert Cities," playing the brittle and hard-edged Palm Springs matriarch Polly, heading a family whose tenuous ties begin to disintegrate when grown daughter Brooke (Rachel Griffiths) announces her intention to publish an "honest" memoir. Compassion versus truth-telling, family loyalty, and the corrosive nature of secrets are motifs. The cast includes Stacy Keach as the staunchly conservative patriarch, Thomas Sadoski as the man-child son, and Judith Light as Polly's insightful and formerly inebriated sister. A Lincoln Center Theater production, the play opened last year Off-Broadway at the Mitzi E. Newhouse Theater to rave reviews and is now playing at the Booth Theatre. Good-humored, straightforward, and refreshingly devoid of pretension, Channing says frankly that she wasn't sure she could pull Polly off, mostly because the tastefully coiffed lady in question is so unappealing. "You don't want to play a character you can't inhabit or commit to fully," Channing says. "I had to find my way into this person without commenting on her, while still allowing her to be who she is. Initially, I didn't see her depth or the depth of this family's journey. At the end they are naked emotionally. There are no heroes and no villains and no one to blame. There is so much that's unspoken. Polly is tough, and she is a mother in every sense of the word. She is a lioness and protects her family."Channing's acting method is largely "rptition," she asserts in a well-executed French accent. Inspiration comes from a costume or hairstyle or a suggestion made by the director. Capturing Polly's hint of a Texan drawl was an early hook into the woman's psyche, she says. Working from the outside in and the inside out, she maintains, the key is to make sure nothing is forced. Channing also welcomes the special chemistry among the actors that adds yet another layer of interpretation. "It's a collaborative process when you have the luxury of working with great people," she notes. "We are a quintet. I didn't realize the level of love and connection in that family until the actors came in. It's belied by the dialogue, but there is a massive amount of love in that room. It will be interesting to have two new actors come in." (Off-Broadway, the recovering-alcoholic aunt and wayward daughter were played by Linda Lavin and Elizabeth Marvel, respectively. At the time of this interview, rehearsals for Broadway had not begun.)The admiration is mutual. "I've known Stockard for many years," says her co-star Keach. "I fell in love with her when she did '[A Day in the Death of] Joe Egg,' and 'Grease.' What she brings to every role is originality, unpredictability, charm, and great humor. She's like champagne and strawberries. Jon Robin Baitz gives Polly a wonderful acerbic wit that Stockard delivers. She's also a deeply emotional actress. She calls on her own feelings to express grief, anger, and the more serious aspects of Polly's character. The balance between humor and pathosno one can do it better than Stockard." Playwright Baitz adds, "With Stockard you get the very valuable willingness to start rehearsal at a pretty high level of commitment. She takes a run at a character, and it's the run of a NY actor who has been around the block and can make fast decisions. Then there is her innate intelligence and levelheadedness. These qualities make her so right for my play. I heard her when I was writing. I used her template and sort of 'rented' her in my head, the workshop in my head. When I teach playwriting, I spend a lot of time talking about the emotional intelligence of the characters, and Stockard has this high quotient of emotional EQ. It does not hurt that she has something old-fashioned about her, not coolly detached, but instead passionate and knowing, curious and dignified. Not to mention she recognizes the physics of being funny, the way a frog can spot a fly."Stockard Channing in "Other Desert Cities" (Photo by Joan Marcus) A Bohemian World, No Red Carpets Looking back, Channing says she came of age in a universe that's galaxies away from the actor's world today. It was the late 1960s, and the possibility of working in community and regional theaters was part of the cultural landscape. Local Boston theaters gave her the place to hone her acting skills in a range of styles. At the same time, she had the opportunity to perform Dylan Thomas in theater programs in the public schools. "The situation that allowed me to discover I loved acting doesn't exist now," she says. Economics were different, and so was the actor's sensibility. Bohemianism was in the air and appealing to young artists, she says. Being a celebrity and walking the red carpet were not her ambitions nor those of her contemporaries. Channing was also married at the time and living the life of a Harvard business wife in addition to being an actor. "Unfortunately the marriage ended, and that's when I moved to New York and threw myself into the breach," she says. One of her early lessons was the value of "focus and discipline," she recalls. "When I was younger I thought I was an artist and inspiration would just come to me." Channing continues to be free-spirited. Although she studied some of the more technical aspects of singing with "Pal Joey" music director Paul Gemignani when she starred in the Rodgers and Hart musical, she felt "it would all work if I just went out and did it," she acknowledges with a chuckle. "I'm a bit of a 'wing it.' " Perhaps not surprisingly, Channing never trained formally as an actor. Early in her NY career, she audited a few acting classes but found them "terrifying, with bullying teachers."Her first few years as an actor were "catch as catch can," she recalls. Acting jobs were in short supply, and others did not reach fruition. One production in which she had a role never got the necessary funding; from another, she was fired. Indeed, Channing was close to throwing in the towel when she reluctantly accepted a gig in the chorus of Joe Papp's "Two Gentlemen of Verona." "I felt like an overage idiot," she says. "I was 27 or 28 at the time. Everyone else in the chorus was fresh out of high school." Taking that stint turned out to be a major door opener, thus proving her contention, "You never know what will lead to what." She marvels at the element of serendipity, even in retrospect. Channing moved up the food chain, understudying the female lead and finally playing the role on the national tour, which brought her to the Ahmanson Theatre in Los Angeles. Industry insiders saw Channing, and word spread. The starring role in Joan Rivers' TV movie "The Girl Most Likely To" followed, and in short order she was co-starring opposite Jack Nicholson and Warren Beatty in Mike Nichols' "The Fortune." But, for some, Channing is still strongly identified as the tough-talking Rizzo in the 1978 blockbuster "Grease," starring John Travolta and Olivia Newton-John, and she continues to feel ambivalent about her part in the film and the reactions it generated. "Unfortunately the movie was despised by the artistic community in part because it made all that money," she says. "John and Olivia had opportunities, but for the rest of us, it was a step backwards. It became an uphill battle, and it was hard to even meet people professionally. I had done Rizzo too well, perhaps."If Channing had her druthers, she'd maintain a balance between film and stage roles, but it's not simply a matter of choice. "They're not writing that many parts for women my age," Channing comments about the film industry, without any rancor. "We don't want stories about people who have lived. We want stories about young people starting out, or maybe people getting second chances. But not third chances. It's not ageism. It's the way of the world. There was 'The Golden Girls,' but you can't hang your hat on what's not likely." Wretched Auditions and the Luck of the Draw Channing no longer auditions, and as she tells it, it's not a moment too soon. She was never especially good at it, she says, recalling auditioning eight times during an eight-week period for "Pippin" and then not booking it. "All auditions are awful, but this one was the worst. By the end when it was between myself and another girl, I was a beaten-up, twisted thing, while the other girl was fresh as a daisy." Preparation and being on top of the material helps, but it's so often the luck of the draw, she says. "Auditioning is a flawed process. I've sat in on casting sessions and been completely disgusted by them," she says. "At one audition a young actor sent in a tape of himself, and I thought, 'Jesus Christ, is that great or what?' It was passed over. I'm not going to say who he was, but today he is one of the most famous young actors around. Casting can be heartbreaking. Dealing with the disappointment is the hardest part."There is often no way of knowing why you didn't book a part, she continues. Sometimes you agonize over an audition for years, completely misinterpreting and misconstruing what happened. Many decades after one such audition, Channing ran into a director who had rejected her. She was introduced to him at a party, assuming he had long since forgotten her. "He leaned over and whispered, 'We made a mistake,' " she remembers. "He didn't have to do it. He had no idea I had been obsessing." She pauses to emphasize, "We never know the reason for anything. You just put a good face on it and keep going."At the moment, she has no roles she's dying to play. "As Frank Langella once said to me, 'It's always where and with whom?' " Channing also refuses to speculate on what she'd do differently if she could redo her career. "Those are evil thoughts," she insists. "I can't think that way."Channing, however, offers struggling actors a bit of advice: "Acting is such a bizarre way of life. Unless you're really passionate about it, you should give it up. Don't beat yourself up. Put one foot in front of the other. If you keep hitting the wall, the worst thing is stay in it too long. There's a whole world out there.""Other Desert Cities" is slated to run at the Booth Theatre, 222 W. 45th St., N.Y., through Jan. 8, 2012. (212) 239-6200. www.lct.org. Outtakes - Appeared on Broadway in such plays as "The House of Blue Leaves," "Four Baboons Adoring the Sun," "The Little Foxes," and "The Lion in Winter"- Starred in her own sitcoms"Stockard Channing in Just Friends" and "The Stockard Channing Show"- Has two films in the hopperthe TV movie "17th Precinct" and "A Fonder Heart" Stockard Channing Reflects on Her Unintended Life as an Actor By Simi Horwitz October 26, 2011 Stockard Channing PHOTO CREDIT Sebastien Piras An acting career was not part of Stockard Channing's well-heeled Upper East Side world. She attended posh boarding schools and majored in history and literature at Radcliffe College with her sights set on being an educated wife and mother.She performed a bit in high school and college but largely accepted her family's notion that acting was, well, not exactly respectable as a profession and surely an insecure way to live. But when Channing found herself starring as Jenny in a Harvard University production of "The Threepenny Opera," the experience was revelatory. "It was opening a Pandora's box," she says, recalling her joy in discovering a creative purpose, audience reciprocity, and the heady sense of empowerment. "I found I could do things I didn't know I could do. It all came together."Since that time, and more than a bit of struggle in between, she has received a Tony Award and five nominations, three Emmy Awards and 11 more nominations, an Oscar nomination, and three Golden Globe nominations, among other honors. Perhaps best known as the highly accomplished thoracic surgeoncumfirst lady Abbey Bartlet on "The West Wing," she has also tackled the imperious socialite Ouisa Kittredge in "Six Degrees of Separation" (film and play); the multilayered, anguished Judy Shepard in the TV movie "The Matthew Shepard Story" and the sophisticated, world-weary Vera Simpson in "Pal Joey" in the 200809 Broadway revival. Currently she stars on Broadway in Jon Robin Baitz's "Other Desert Cities," playing the brittle and hard-edged Palm Springs matriarch Polly, heading a family whose tenuous ties begin to disintegrate when grown daughter Brooke (Rachel Griffiths) announces her intention to publish an "honest" memoir. Compassion versus truth-telling, family loyalty, and the corrosive nature of secrets are motifs. The cast includes Stacy Keach as the staunchly conservative patriarch, Thomas Sadoski as the man-child son, and Judith Light as Polly's insightful and formerly inebriated sister. A Lincoln Center Theater production, the play opened last year Off-Broadway at the Mitzi E. Newhouse Theater to rave reviews and is now playing at the Booth Theatre. Good-humored, straightforward, and refreshingly devoid of pretension, Channing says frankly that she wasn't sure she could pull Polly off, mostly because the tastefully coiffed lady in question is so unappealing. "You don't want to play a character you can't inhabit or commit to fully," Channing says. "I had to find my way into this person without commenting on her, while still allowing her to be who she is. Initially, I didn't see her depth or the depth of this family's journey. At the end they are naked emotionally. There are no heroes and no villains and no one to blame. There is so much that's unspoken. Polly is tough, and she is a mother in every sense of the word. She is a lioness and protects her family."Channing's acting method is largely "rptition," she asserts in a well-executed French accent. Inspiration comes from a costume or hairstyle or a suggestion made by the director. Capturing Polly's hint of a Texan drawl was an early hook into the woman's psyche, she says. Working from the outside in and the inside out, she maintains, the key is to make sure nothing is forced. Channing also welcomes the special chemistry among the actors that adds yet another layer of interpretation. "It's a collaborative process when you have the luxury of working with great people," she notes. "We are a quintet. I didn't realize the level of love and connection in that family until the actors came in. It's belied by the dialogue, but there is a massive amount of love in that room. It will be interesting to have two new actors come in." (Off-Broadway, the recovering-alcoholic aunt and wayward daughter were played by Linda Lavin and Elizabeth Marvel, respectively. At the time of this interview, rehearsals for Broadway had not begun.)The admiration is mutual. "I've known Stockard for many years," says her co-star Keach. "I fell in love with her when she did '[A Day in the Death of] Joe Egg,' and 'Grease.' What she brings to every role is originality, unpredictability, charm, and great humor. She's like champagne and strawberries. Jon Robin Baitz gives Polly a wonderful acerbic wit that Stockard delivers. She's also a deeply emotional actress. She calls on her own feelings to express grief, anger, and the more serious aspects of Polly's character. The balance between humor and pathosno one can do it better than Stockard." Playwright Baitz adds, "With Stockard you get the very valuable willingness to start rehearsal at a pretty high level of commitment. She takes a run at a character, and it's the run of a NY actor who has been around the block and can make fast decisions. Then there is her innate intelligence and levelheadedness. These qualities make her so right for my play. I heard her when I was writing. I used her template and sort of 'rented' her in my head, the workshop in my head. When I teach playwriting, I spend a lot of time talking about the emotional intelligence of the characters, and Stockard has this high quotient of emotional EQ. It does not hurt that she has something old-fashioned about her, not coolly detached, but instead passionate and knowing, curious and dignified. Not to mention she recognizes the physics of being funny, the way a frog can spot a fly."Stockard Channing in "Other Desert Cities" (Photo by Joan Marcus) A Bohemian World, No Red Carpets Looking back, Channing says she came of age in a universe that's galaxies away from the actor's world today. It was the late 1960s, and the possibility of working in community and regional theaters was part of the cultural landscape. Local Boston theaters gave her the place to hone her acting skills in a range of styles. At the same time, she had the opportunity to perform Dylan Thomas in theater programs in the public schools. "The situation that allowed me to discover I loved acting doesn't exist now," she says. Economics were different, and so was the actor's sensibility. Bohemianism was in the air and appealing to young artists, she says. Being a celebrity and walking the red carpet were not her ambitions nor those of her contemporaries. Channing was also married at the time and living the life of a Harvard business wife in addition to being an actor. "Unfortunately the marriage ended, and that's when I moved to NY and threw myself into the breach," she says. One of her early lessons was the value of "focus and discipline," she recalls. "When I was younger I thought I was an artist and inspiration would just come to me." Channing continues to be free-spirited. Although she studied some of the more technical aspects of singing with "Pal Joey" music director Paul Gemignani when she starred in the Rodgers and Hart musical, she felt "it would all work if I just went out and did it," she acknowledges with a chuckle. "I'm a bit of a 'wing it.' " Perhaps not surprisingly, Channing never trained formally as an actor. Early in her NY career, she audited a few acting classes but found them "terrifying, with bullying teachers."Her first few years as an actor were "catch as catch can," she recalls. Acting jobs were in short supply, and others did not reach fruition. One production in which she had a role never got the necessary funding; from another, she was fired. Indeed, Channing was close to throwing in the towel when she reluctantly accepted a gig in the chorus of Joe Papp's "Two Gentlemen of Verona." "I felt like an overage idiot," she says. "I was 27 or 28 at the time. Everyone else in the chorus was fresh out of high school." Taking that stint turned out to be a major door opener, thus proving her contention, "You never know what will lead to what." She marvels at the element of serendipity, even in retrospect. Channing moved up the food chain, understudying the female lead and finally playing the role on the national tour, which brought her to the Ahmanson Theatre in Los Angeles. Industry insiders saw Channing, and word spread. The starring role in Joan Rivers' TV movie "The Girl Most Likely To" followed, and in short order she was co-starring opposite Jack Nicholson and Warren Beatty in Mike Nichols' "The Fortune." But, for some, Channing is still strongly identified as the tough-talking Rizzo in the 1978 blockbuster "Grease," starring John Travolta and Olivia Newton-John, and she continues to feel ambivalent about her part in the film and the reactions it generated. "Unfortunately the movie was despised by the artistic community in part because it made all that money," she says. "John and Olivia had opportunities, but for the rest of us, it was a step backwards. It became an uphill battle, and it was hard to even meet people professionally. I had done Rizzo too well, perhaps."If Channing had her druthers, she'd maintain a balance between film and stage roles, but it's not simply a matter of choice. "They're not writing that many parts for women my age," Channing comments about the film industry, without any rancor. "We don't want stories about people who have lived. We want stories about young people starting out, or maybe people getting second chances. But not third chances. It's not ageism. It's the way of the world. There was 'The Golden Girls,' but you can't hang your hat on what's not likely." Wretched Auditions and the Luck of the Draw Channing no longer auditions, and as she tells it, it's not a moment too soon. She was never especially good at it, she says, recalling auditioning eight times during an eight-week period for "Pippin" and then not booking it. "All auditions are awful, but this one was the worst. By the end when it was between myself and another girl, I was a beaten-up, twisted thing, while the other girl was fresh as a daisy." Preparation and being on top of the material helps, but it's so often the luck of the draw, she says. "Auditioning is a flawed process. I've sat in on casting sessions and been completely disgusted by them," she says. "At one audition a young actor sent in a tape of himself, and I thought, 'Jesus Christ, is that great or what?' It was passed over. I'm not going to say who he was, but today he is one of the most famous young actors around. Casting can be heartbreaking. Dealing with the disappointment is the hardest part."There is often no way of knowing why you didn't book a part, she continues. Sometimes you agonize over an audition for years, completely misinterpreting and misconstruing what happened. Many decades after one such audition, Channing ran into a director who had rejected her. She was introduced to him at a party, assuming he had long since forgotten her. "He leaned over and whispered, 'We made a mistake,' " she remembers. "He didn't have to do it. He had no idea I had been obsessing." She pauses to emphasize, "We never know the reason for anything. You just put a good face on it and keep going."At the moment, she has no roles she's dying to play. "As Frank Langella once said to me, 'It's always where and with whom?' " Channing also refuses to speculate on what she'd do differently if she could redo her career. "Those are evil thoughts," she insists. "I can't think that way."Channing, however, offers struggling actors a bit of advice: "Acting is such a bizarre way of life. Unless you're really passionate about it, you should give it up. Don't beat yourself up. Put one foot in front of the other. If you keep hitting the wall, the worst thing is stay in it too long. There's a whole world out there.""Other Desert Cities" is slated to run at the Booth Theatre, 222 W. 45th St., N.Y., through Jan. 8, 2012. (212) 239-6200. www.lct.org. Outtakes - Appeared on Broadway in such plays as "The House of Blue Leaves," "Four Baboons Adoring the Sun," "The Little Foxes," and "The Lion in Winter"- Starred in her own sitcoms"Stockard Channing in Just Friends" and "The Stockard Channing Show"- Has two films in the hopperthe TV movie "17th Precinct" and "A Fonder Heart"

Lindsay Lohans Father Seems In Florida Court

First Released: October 26, 2011 2:14 PM EDT Credit: AP Polk, Fla. -- Caption Michael Lohan seems before an Hillsborough County Circuit Judge Walter Heinrich via close circuit T.V. in Polk, Florida on October 26, 2011The estranged father of actress Lindsay Lohan made his first appearance in the court on domestic violence charges. Judge Walter Heinrich set bail at $5,000 for Michael Lohan on Wednesday. Lohan is charged with getting his on-and-off girlfriend and pushing her lower multiple occasions throughout a disagreement at her Polk condo Sunday. The judge told Lohan to step back from 28-year-old Kate Major. Government bodies say Lohan visited Majors condo which she made the decision to allow him stay despite the fact that she'd a brief domestic violence injunction against him in California County. A phone call to Lohans lawyer, Michael Perry, wasn't immediately came back. Copyright 2011 through the Connected Press. All privileges reserved. These components might not be released, broadcast, rewritten or redistributed.

UPDATE: Netflix Stock Taking Beating As 3Q Customer Amounts & Guidance Weak

UPDATE, 5:30 PM: It seems like the deal Netflix introduced right now to grow into the Uk and Ireland is going to be not a good idea around the organization, which mentioned throughout its publish-earnings business call with experts that it's going to generate deficits for just about any handful of quarters due to people costs. Consequently, Netflix will suspend worldwide efforts before the organization returns to profitability. Weak customer amounts also were the reason behind the ugly day: the business ended the next quarter with 23.8 million subs — about 200,000 a smaller amount of computer anticipated. “We increased being synonymous with the evil, greedy corporation,” Hastings told the AP. “Then we faced a reputational hit that created substantially more cancellations than we anticipated.” The churn rate almost bending when compared with this past year and chances are it will remain high due to fallout from Netflix’s 60% fee hike. “We’ve seen another wave of cancellations within the cost increase,” Hastings mentioned on Monday’s experts call. It’s that kind of uncertain outlook that pummeled shares after several hours: The stock fell $32.01, or about 27%, to $86.83 in extended purchasing and selling Monday mid-day. When decline stacks up, it'll mark the first time Netflix’s stock cost has fallen below $100 in nearly 14 several days, the Connected Press states. It’s an amazing be lured through the subscription movie giant, whose shares had already lopped 61% off their all-time filled with mid-This summer time. Its market cap went from $16 billion-plus close to $4.5 billion in three several days’ time. All this as Netflix today reported that revenue rose 49% to $822 million and earnings rose from $38 million this past year to $62.5 million inside the quarter that ended September 30. PREVIOUS, 1:19 PM: Netflix shares are presently lower greater than 18% in after-several hours purchasing and selling following the organization reported 3Q earnings that beat Wall Street estimations in revenue and earnings per share. The primary problem for traders is the volume of running clients being greater through the quarter than even Netflix anticipated if the modified lower its guidance for your period having towards the recent issues that incorporated an expense hike the splicing and re-splicing of the streaming and mail services. Stay up-to-date for your full amounts, nevertheless it’s wild to find out Netflix stock drop below $100 nowadays. For your quarter, the business reported revenue of $822 million, beating estimations of $812 million, and earnings per share of $1.16, notebook computer in comparison to predicted 94 cents. But shares are falling because of customer deficits (800,000-also within the quarter) reducing 4Q guidance for revenue, earnings and subs.

Quartet Cast In TBS Comedy Pilot Sullivan And Son Produced By Vince Vaughn

EXCLUSIVE: Valerie Azlynn, Jodi Long, Vivian Bang and Owen Benjamin have been cast opposite star Steve Byrne in TBS’ half-hour comedy pilot Sullivan And Son starring comedian Steve Byrne and executive produced by Vince Vaughn and Peter Billingsley. Written by Byrne and Cheers alum Rob Long, who serves as executive producer/showrunner, Sullivan And Son is in the vein of the classic NBC comedy and takes place in a popular and legendary neighborhood bar in a working-class neighborhood in Pittsburgh. It centers on Steve Sullivan (Byrne), the son of the current owner of the bar and the grandson of its founder, who surprises his Irish-American father and Korean-American mother (Long) when he decides to leave his job as a successful corporate attorney in NY and return to the old neighborhood to take over Sullivan & Son. Azlynn, repped by Innovative and Trademark Talent, will play Melanie, a regular at the bar and the love interest to Steve. Bang will play Steve’s long-suffering, under-appreciated younger sister. Benjamin will play Steve’s childhood friend who has no filter. Warner Horizon TV and Vaughns Wild West Picture Show banner are producing.

Stand-bys for Nickelodeon Auditions

Actorfest Attendees: A select number of people may be allowed as same-day stand-bys for Nickelodeon auditions. To participate: -- Age Range is 13 to 17 years old. All talent must play Middle School through High School Age Only.-- You and your guardian must be registered Actorfest attendees. (Registration is FREE. Visit http://actorfestnyc2011.eventbrite.com to register.) To be included, visit the Nickelodeon stand-by table at Actorfest to pick up a stand-by bracelet. Numbers are limited; early attendance is recommended. If audition slots becomes available during the day, specific announcements will be made on the main event floor. We do not guarantee that standby talent will audition. See you at Actorfest NY!

Steve Jobs' Dying Inspires Howard Stern to assist Pancreatic Cancer Research

Jobs' dying in the youthful age 56 from the rare type of pancreatic cancer has spurred Media King Howard Stern to assist raise awareness and money for research and management of this deadly disease. The well-known jewellery company -- RichRocks -- developed a "Tree of Existence" necklace -- a universal symbol of encouragement, strength and protection in recognition from the Apple founder. Twenty-5 % of arises from the purchase from the necklace would go to the town of Hope's pancreatic cancer research and treatment departments. AUDIO: Howard Stern Bids Goodbye to Radio Alma Mater WYSP With Half-Hour Telephone Call The fragile necklace is patterned here by Janet Stern, media king Howard Stern's model/actress wife. Stern -- that has become enthusiastic about photography -- required photos of his wife putting on the "Tree of Existence" necklace and passed them along towards the founding father of RichRocks and the wife's dear friend, Robin Rothfeld to assist offer the cause. VIDEO: Jobs Biographer States Professional Regretted Postponing Cancer Surgery The RichRocks "Tree of Existence" necklace (18") will come in both blown gold and blown silver. It sells for $35.00 and it is only accessible at world wide web.richrocksnyc.com. Among RichRocks longtime celebrity fans: Kim Kardashian, LIndsay Lohan, Blake Lively, Gisele Bundchen. Fashion Lindsay Lohan Blake Lively Howard Stern Kim Kardashian Jobs Gisele Bundchen

Mel Brooks on His Secret Second Career Like a Horror Movie Godfather: Part 1

Horror fans really are a passionate and loyal fanbase. They are fully aware their movie background and they like to champion new voices who breathe existence in to the thrilling genre. However, many fans may be surprised to understand who stands included in this spotlighting the nastiest and gnarliest works of terror: another through the title of Mel Brooks. Everybody regards Brooks like a legend of comedy cinema, and by divine intention so, but he's also accountable for kick-beginning the careers of two of the very unique (and frequently occasions creepy) voices in filmmaking: David Lynch and David Cronenberg. Together with his BrooksFilm production company, the jokester who gave us 'Blazing Saddles' and 'The Producers' has additionally uncovered audiences towards the Medieval freakshow melodrama 'The Elephant Man' and also the grisly, gross-out classic 'The Fly,' together with a number of sci-fi and horror-designed movies. And many remarkably, he is doing it without credit. Moviefone spoken with Mel Brooks to go over the building of 'The Elephant Man' and 'The Fly' -- which just lately celebrated its 25th anniversary. However when Mel Brooks talks, you simply relax and listen he required us on the hour-lengthy conversation about his movies, his passion of horror and also the off-beat projects he still expects to create. [Editor's note: For optimum enjoyment, make certain to see Brooks' comments in the unshakable voice.] Mel Brooks: Okay. What exactly would you wanna know? Moviefone: We now have lots to discuss. What motivated you to definitely develop the Brooksfilm production company? Brooksfilms began having a movie known as 'Fatso,' that my late wife Anne Bancroft, authored and directed. It had been just natural that i can support it. I stored my title from it to ensure that we wouldn't have that Pavlovian problem of saying "Mel Brooks" and expecting a Mel Brooks crazy comedy. So this is where it began. I acquired this script for 'The Elephant Man' and that i loved it. It had been harmful, but we went ahead also it was tough to find somebody. Movie professionals see clearly and stated, "You are crazy." Many people think it is tongue-in-oral cavity, and it might be a comedy relating to this new creature. Michael Eisner who had been running Vital at that time with Jeffrey Katzenberg, known as me set for a conference and stated "You are serious?" I stated "Yeah, I am a serious person, you realize.Inch So Eisner and Vital emerged with a few money, and that i got a bit of foreign money from EMI. [Producer] Stuart Conrnfeld was wonderful in assisting me organize Brooksfilms, especially 'Elephant Man' and 'The Fly.' He required me towards the NuArt, a wild movie house on Santa Monica Boulevard. I did not wanna view it, but 'Pink Flamingos,' we needed to observe that 20 occasions. We had David Lynch's uh... Could it have been 'Eraserhead'? Ok last one, you realize it! We had his crazy black-and-whitened, brilliant student film. He really understood the idea of the way a baby could destroy a person via a mom and dad. I believed it was brilliant, absolutely brilliant. That which was the first encounter with David Lynch like? After I met him, I needed to meet him at Bob's Large Boy. It had been somewhere within the Valley and that i walk in: "Hi Mel!" -- he appeared as if Lindbergh putting on a leather flying jacket. I simply stored thinking "this person is an extremely artistic and inventive Charles Lindbergh." He desired to build the Elephant Guy face and mind, and that he began to, after i stated "I am not gonna let you accomplish that. I really want you to focus on writing the script and focus on your shots." We labored a very long time. The topic matter only agreed to be absurd, nobody wanted to get it done and next, they stated, "Well who's this person? David Lynch? What exactly are you crazy?" [Laughs] "You would like us to get involved with this movie and also you don't actually have a director we are able to trust as well as know." Therefore it was very, very hard but we made it happen and along came 'The Fly' further down the road. What came you to definitely this new interpretation of 'The Fly'? There is a man known as George Langelaan, I'll always remember, with two A's. He authored a brief story in regards to a different idea of 'The Fly,' more according to metamorphosis compared to really funny "Vincent Cost steps in to the chamber and 1 / 2 of him turns into a fly." That is what excited Stuart he loved the thought of metamorphosis. He stored speaking about "rather than the standard compliment of sugar that individuals would place in, it might be bizarre and strange this character puts 15 sugars in the coffee." I stated, "Is the fact that highlighting on funny?" and Stuart stated "No, no, no." We actually done an idea and also got [film writer] Charles Edward Pogue and David Cronenberg themself. After I saw 'The Dead Zone,' I stated "who the hell is guy?" He was amazing which was my first contact with him and that i ongoing to follow along with his work. Cronenberg and Lynch are a couple of my personal favorite filmmakers ever. Lots of their fans might not realize this, but they're very instrumental in the prosperity of both Lynch and Cronenberg's careers. Well if their title is David It's my job to hired them. I love Davids. Cronenberg was greatly like David Lynch for the reason that he or she is very entertaining, and fantastically artistic simultaneously. He would be a pleasure to utilize... the only real factor was we needed to increase to Toronto. I resided in Toronto for some time shooting available online for, and I am not really a large... they do not have lots of crazy food up in Toronto, but they are nice. How have you start putting together the talent involved with 'The Fly'? I could not sell Fox on Shaun Goldblum. To begin with, they thought it is a leading character, and that i stated, "Yeah, but he's an excellent character actor, you wouldn't want a number one guy." I offered it to some couple of people when Fox stated "you have to obtain a little of the star" -- but nobody would get it done. When Shaun leaped in internet marketing, he understood immediately this was great stuff. He works out to become the most effective one on the planet who could play this part due to his insane, crazy nonstop telegraphic reading through. Nobody could think and talk as quickly as Shaun Goldblum. Geena Davis had not done much. She'd done 'Transylvania 65000,' by Rudy P Luca -- he was in many my movies he performed the stainless mouth guy in 'High Anxiety.' He suggested her whenever we were putting 'The Fly' together to be really gifted. Within the dialogue, there is a line where Geena states, "No, hesitate, be very afraid" and that i thought, "Exactly what a great line." We used that line within the poster and also the advertising, "Hesitate, be very afraid." Stuart and that i labored without credit to make certain it made sense also it was eerie and fascinating, but possible. David's similar to Hitchcock. He understood what he desired to shoot, he wasn't getting lucky around the set. He'd an excellent beginning, middle, and finish in the mind of how you can shoot it. It was Cronenberg's best movie. He's a really small bit inside it really. He's on camera, he plays a doctor. Yeah, he provides the maggot within the dream sequence. Healthy for you that you simply understood that. Chris Walas did the creature effects. Guy does not just take on this transference chamber and obtain the mind of the fly. Gradually the thing is him, his physical stature is amazing because he moves along until it might be truly horrible. Chris is a great, brilliant make-up guy. He won an Academy Award. Also keep in mind Howard Shoreline! We assisted start his large, large career. David discovered Shoreline he did 'Scanners' and 'Videodrome' and Shoreline was there just trying his wings. He really was moody and brooding and strange. Dissonant and incredibly melodic. Now he's went onto be considered a celebrity. Howard was nominated for any Saturn award and that i won a Saturn award. Using the brainiacs and nerds and wackos and sci-fi maniacs, they are an excellent, great group. We'd 'Young Frankenstein' touring out here plus they offered me a Saturn award and that i was very moved. I'd won many honours, but it was good because I understand how crazy and sharp everyone are, contributing to that which you worry about. Return tomorrow for part a couple of our interview with Mel Brooks, and listen to his ideas regarding how to correctly kill a spook, getting 'The Fly' in theaters and also the surprising dream project he still really wants to make. A Brief History of BrooksFilms 'Fatso' (1980)'The Elephant Guy' (1980)'History around the globe: Part 1' (1981)'My Favorite Year' (1982)'Frances' (1982)'To Be or otherwise to become' (1983)'The Physician and also the Demons' (1985)'The Fly' (1986)'Solarbabies' (1986)ྐ Charing Mix Road' (1987)'Spaceballs' (1987)'The Fly II' (1989)'Life Stinks' (1991)'The Vagrant' (1992)'Robin Hood: Males In Tights' (1993)'Dracula: Dead and Loving It' (1995)'The Producers' (2005) See All Moviefone Art galleries » David Lynch recalls showing 'Eraserhead' to Mel Brooks Follow Moviefone on Twitter Like Moviefone on Facebook

Soulja Boy Arrested In Georgia

First Published: October 18, 2011 11:47 AM EDT Credit: Getty Images TEMPLE, Ga. -- Caption Soulja Boy attends the BET AWARDS 09 nominee announcements at BET Studios on May 12, 2009 in NY CityAuthorities say hip-hop star Soulja Boy is facing a drug charge after police stopped his rental car in west Georgia and found marijuana. Temple Police Chief Tim Shaw tells The Associated Press that police stopped the rented Cadillac Escalade early Tuesday. He says officers found marijuana and guns inside. The artist, who was booked under the name DeAndre Cortez Way, was brought to the Carroll County Jail on a felony charge of marijuana possession. Shaw said that based on what he knows of the arrest, all five occupants in the car were very cordial and the arrest went smoothly. Carroll County Jail Records did not list an attorney for the artist. Authorities said he was being held without bond and his first court appearance was set for Tuesday afternoon. Copyright 2011 by The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

NBA Lockout: 10 Players Who Stand to Lose the Most Money

Earlier this week, the NBA announced it was canceling the first two weeks of the season after two days of negotiations failed to yield any progress between the owners and players in their labor dispute.our editor recommendsUnion Says NBA Lockout Coming at MidnightLakers Games: Who Sits Where (map)Kobe Bryant To Make His Movie Acting Debut in 'The Black Mamba'Endemol USA plans Kobe Bryant Web seriesKhloe Kardashian's Husband Lamar Odom Involved in Near-Fatal Car AccidentRon Artest Name Change to Metta World Peace Official'Dancing With the Stars'' Ron Artest Reacts to Elimination (Video) The sticking point in the negotiations was reportedly how the team owners and their players would split the $4 billion in revenue generated annually by the league. STORY:NBA Cancels First Two Weeks of Season Amid Lockout NBA commissioner David Stern told the Associated Press that after two straight days of negotiations, both sides were "very far apart on virtually all issues. ... We just have a gulf that separates us." So which players stand to lose the most money as the lockout starts? Brian Reed of InvestingAnswers.com conducted a survey for Yahoo's Post Game blog, looking at who will lose the most per paycheck. (His methodology consisted of dividing each player's 2011-12 salary into 13 biweekly paychecks to find out what they earn every two weeks of the season.) STORY:NBA Lockout: What the Industry, Fans Are Saying About Decision to Cancel First Two Weeks of Season According to Reed, Los Angeles Lakers star Kobe Bryant will take the biggest hit. Bryant, the highest-paid player in the NBA, signed a three-year, $83.5 million extension in April, which means he will lose out on $1.9 million for the two weeks of canceled NBA games. He's not the only Laker who made the top 10: Pau Gasol came in at No. 7 with $1.4 million per paycheck. Landing at No. 2 on the list was Rashard Lewis with $1.7 million per paycheck. The Washington Wizards player's contract calls for him to earn $22.1 million this season. STORY: Lakers' Kobe Bryant to Play in Italy During NBA Lockout Rounding out the top three was Tim Duncan of the San Antonio Spurs, who has a $21.3 million contract that gives him about $1.6 million per paycheck. Meanwhile,if the lockout persists into the new year and threatens a full playoff schedule, the NBA's broadcast partners, including ABC/ESPN and TNT, could suffer substantial financial losses as well. Advertisers reportedly spent $807 million on NBA broadcasts last season, thoughmost lucrative advertising occurs during the playoffs. The complete list of players who stand to lost the most follows: 1. Kobe Bryant, Los Angeles Lakers, $1.9 million per paycheck 2. Rashard Lewis, Washington Wizards, $1.7 million 3. Tim Duncan, San Antonio Spurs, $1.638 million 4. Kevin Garnett, Boston Celtics, $1.630 million 5. Gilbert Arenas, Orlando Magic, $1.48 million 6. Dirk Nowitzki, Dallas Mavericks, $1.47 million 7. Pau Gasol, Los Angeles Lakers, $1.44 million 8. Carmelo Anthony, NY Knicks, $1.42 million 9. Amar'e Stoudemire, NY Knicks, $1.40 million 10. Joe Johnson, Atlanta Hawks, $1.39 million Related Topics NBA Kobe Bryant

Black Dove (Kueun kaimeki)

A Korean Film Council presentation of an M16 production. (International sales: M16, Seoul.) Produced by Ko Young-jun. Directed by Roh Gyeong-tae. Screenplay, Kim Sung-tae.With: Lim Hyeong-guk, Cho Soo-hyuk, Jeong Yoon-kyung, Ahn Ji-hye, Yang Eun-yong, Jeong. (Korean dialogue)South Korean auteur Roh Gyeong-tae inches closer to conventional storytelling with "Black Dove," an austere mood piece about the repercussions of a hit-and-run accident. Maintaining tight tonal control over a tale that glides seamlessly between past and present, Roh delivers a cathartic experience for patient viewers, but his minimalist rhythms are unlikely to click with many general auds. Though the pic is much more accessible than the helmer's experimental features "The Last Dining Table" and "Land of Scarecrows," its future appears limited to local arthouses and fests following its world preem at Busan. Told in the form of dual narratives that inevitably meet at a critical juncture, "Black Dove" opens at roughly the midway point. The estranged wife and young daughter of artist Lee Jon-ho (Cho Soo-hyuk) have been hit by an unknown vehicle at an isolated intersection, an incident that leaves Jon-ho struggling to complete work for an exhibition at the new gallery owned by g.f. Min-hee (Ahn Ji-hye), with whom he was trysting at the time of the collision. Keeping the fate of Jon-ho's family a mystery until deep into the proceedings, the screenplay introduces Lee Jun-gu (Lim Hyeong-guk), a college professor with clean-freak proclivities who's stuck in a pitifully loveless marriage to mousey wife Sun-mi (Jeong Yoon-kyung). Although little is said in the Lee household, it's immediately obvious the couple committed the hit-and-run. Expertly blending scenes from before and after the accident, pic creates a powerful examination of guilt as it gradually consumes Jon-ho and Sun-mi. Irrationally blaming his relationship with Min-hee as the cause of the accident, Jon-ho lashes out verbally and physically at his lover. Later, he starts working at the coffee shop his wife opened following their breakup, as if that will somehow help repair the damage. The weight of Sun-mi's terrible secret takes a much heavier toll. Haunted by visions of blood oozing from walls and suffering from a phantom pregnancy, she watches Jon-ho from a distance before making fateful contact with him. In utterly chilling contrast, Jun-gu shows no remorse; the darkness dwelling in this apparently respectable academic is brought home in a devastating scene few auds will forget. Finely tuned perfs play a crucial role in keeping willing viewers engaged in an ultra-low-key drama that's punctuated by sudden bursts of electricity when these troubled characters are able to express pent-up emotions. Jeong Yoon-kyung is particularly impressive as the housewife with almost nothing left to cling to. Pristine lensing by Lee Sun-young and a beautiful score by Roh's regular collaborator Jaesin Lee are the standouts of a first-class technical package.Camera (color), Lee Sun-young; editor, Choi Hyun-sook; music, Jaesin Lee; art director, Sin Eon-yeop; costume designer, Lee Su-wong; sound (stereo), Kong Tae-won; assistant director, Chung Ki-hyuk; casting, No Chi-hyung. Reviewed at Busan Film Festival (Korean Cinema Today), Oct. 8, 2011. Running time: 118 MIN. Contact the Variety newsroom at news@variety.com

Schwarzenegger films just four days on Expendables 2

Cameras happen to be moving around the Expendables 2 but when you had been expecting Arnold Schwarzenegger to possess a bigger role within the follow up you are likely to be disappointed.The Governator looks set to experience merely a brief part once again, although more than his role within the first film.That scene - lasting only one minute and 47 seconds from entrance to exit - saw his character Trent Mauser handle some verbal live training with Mr Chapel (Bruce Willis) and Barney Ross (Sylvester Stallone).It had been shot overnight as Arnie were built with a proper regular job in those days running California.A minimum of which means Schwarzenegger should get a bit more from the action this time around, investing an entire four days on looking for The Expendables 2.Provide the guy a rest, he's nearly to begin shooting Last Stand.Besides, Chuck Norris has showed up in Sofia so there will be an abundance of aged hardman filling the screen.Simon West's The Expendables 2 opens in movie theaters August 2012.

'Soup' scribe tests 'Water'

Rafferty Tess Rafferty ("The Soup") has set up comedy feature script "Thicker Than Water," with director-producer Scott Freeman and his partner Adam Grossman. The story deals with a dysfunctional family of social climbers overcoming infidelity and divorce to come together. It will be produced by Grossman and Wayne Carmona ("Entourage"). Rafferty's also sold publication rights to "Recipes for Disaster," a collection of comedic stories about life in an industry town and what it really means to entertain, to Katie Gilligan at Thomas Dunne Books. The book is to be published in fall 2012. Holly Root at the Waxman Literary Agency handled the deal. Rafferty is the only female writer-supervising producer on E! Entertainment's comedy show, "The Soup." She performs stand-up comedy around Los Angeles, including her recent show at the Comedy Central Stage "Why I'm Not Married." Rafferty is repped by New Wave Entertainment, and attorney Chad Christopher at Stone, Meyer, Genow, Smelkinson & Binder. Contact Dave McNary at dave.mcnary@variety.com

Top Moments: Conan's Triumphant Reunion along with a Enjoyable Horror Story

Conan O'Brien, Jimmy Fallon Our top moments each week: 12. Most delicious Defense: How are you aware whenever your air travel passenger is performed? You stick a fork in him, naturally. Or at best, that is what Maggie does on Pan Am whenever a male first-class flyer (and first-class sleazebag) attempts to feel her up and pull her in to the bathroom for any break. It comes down to half a century later, but we'd still stab someone having a fork when they attempted to drag us in to the plane bathroom. 11. The Advantage of Sanity Award: Susan handles her immense guilt over assisting to hide Carlos' murder on Desperate Average women the only method she knows how: by acting just like a crazy lady. She handcuffs herself for accidentally failing to remember to cover soda and parks within the fire lane purposely - all hoping of having the punishment she so frantically craves. However, once the cop - a brand new father overcome with pleasure - will not offer her a parking ticket, she kicks his motorcycle over after which, yes, rips in the photo of his newborn. Would be the ladies from the Lane likely to commit her, or should we? 10. Most Heartbreaking Goodbye: Following his arrest and almost getting billed with assault, Alex realizes he or she must split up with Haddie on Being a parent. Sure, it's difficult splitting up having a longtime girlfriend (particularly when she does not wish to split up), however the real tearjerker is watching Alex leave behind Haddie's mother, Kristina. The ever-intuitive Kristina reads that this can be a final goodbye and informs him he's like family because he squeezes her tightly and tears run lower his face. Parting is really such sweet sorrow. 9. Best Dance: Nick and Jess 'shippers most likely thought they would have great material for any 'shipping video when he asks her to bop in a wedding on New Girl. But rather than a conventional slow dance, they - and finally Winston and Schmidt - bust a proceed to "A Groovy Type of Love" by doing Jess' personalized Chicken Dance (pecking rather than clapping). It is extremely, um, what's that word again? 8. Best Twist Ending: There is no way House could finish its season premiere with this favorite curmudgeonly diagnostician still in jail, right? Guess again. When House disobeys the prison's medical director by trying a radical test in order to save another inmate's existence, House has his parole suspended and it is delivered to solitary confinement through out his term. Fortunately, Odette Annable's Dr. Adams supervises the exam, and, despite losing her job, proves Home is right. We are sure he'll recover it to her around the outdoors by providing employment. 7. Most popular Subject: Tempers flare around the View after Barbara Walters states the N-word while estimating the racial epithet inside a story about Ron Perry's questionable hunting camping. "I did not like how you stated it. I'm not sure whether it's a semantics factor, but it is something which experiences my body system,Inch Sherri Shepherd states, adding that they was "fine" using the way Whoopi Goldberg stated the term. Shepherd then confesses that her anger has related to the truth that Walters is whitened. "I never understood you felt by doing this, and that i think it is just amazing," Walters replies. 6. Best Regret-in-the-Making: When Diane starts to suspect that Alicia and her husband have split around the Good Wife, she attempts to request Alicia, after which Will, concerning the truth. After he plays it coy - you realize, rather than declaring that concerning the presidential suite which one evening in the apartment - Diane makes him promise that Alicia can get the boot if her estranged ties to Peter start to hurt the firm. Wow, we can not wait to determine that inflate in the face - for the reason that slow-burn, we-did not-see-that-coming-even-though-we-did Good Wife way, naturally. 5. Outfitted towards the Nines Award: The final time Happy Endings' Kaira clicked his fingers and the pants dropped, he was putting on boxers. This time around? A shirtdress - a amusing visual payback after he stated he think it is a men's shirt when he purchased at Alex's store. "How have you not realize that which was an outfit?Inch Jane asks. Oh, but he did: "I'd my accusations. However the cost is appropriate and dad likes an in-depth tuck." 4. Best Apple: Is Homeland's Barbara crazy or perhaps is she onto something? Appears like it's a bit of both. Around the series premiere, the bipolar CIA officer finally finds evidence to aid her apparently half-baked theory that Sgt. Nicholas Brody might have been switched by Al-Qaeda when she notices that his hands twitch within the same repetitive pattern each time he's on television - as though he's tapping out a code. Saul can't help but agree: "We ought to explore this.Inch We are in. 3. Most Moving Tearjerker: Not really a dry eye remains in the home when Dwts hopeful and war veteran J.R. Martinez - who had been burned in Iraq after driving on the landmine - channels all his discomfort and emotion right into a poignant rumba, that they commits towards the soldiers who did not get home. He bursts into tears after it finishes, as the audience gives him a sustained standing O. "Heroes are common people," a weepy Barbara Ann Inaba informs him. "Tonight, you probably did something remarkable: You touched all of us.Inch Hopefully you'd some Kleenex nearby. 2. The Best Guilty Pleasure Award: He might be a counselor, but American Horror Story's Ben would certainly take advantage of his own time on someone's couch. After cheating on his wife, and her subsequently losing their baby, he starts getting strange visions by which their old maid is really a hot youthful factor who loves to, well, "find herself" within their haunted house. Ben masturbates towards the picture of the maid doing exactly the same but begins crying with shame the moment he finishes. You want we're able to tell you just how was the strangest thing about this show to date, but we'd be laying. 1. Most Triumph-ant Return: In the first NBC appearance since unceremoniously departing The Tonight Show in The month of january 2010, Conan O'Brien visits his old stomping grounds of 16 years at Late Evening with Jimmy Fallon. O'Brien compliments his longtime drummer Max Weinberg (also known as Fallon's drummer ?uestlove) on his drastic new 'do, before Fallon asks, "You had been for 16 many then what went down?Inch The 2 share an uncomfortable laugh, and Coco finally confesses that he's really there to retrieve something he left out within the couch: Triumph the Insult Comic Dog. "I believe I am gonna require it again," he states. His settlement with NBC prevents him by using the smoothness elsewhere (also known as Conan), or has that transformed? Because that might be very good news... for Triumph to poop on. What were your top moments?

Please Describe the My Week With Marilyn Trailer to Me

My Week With Marilyn screens this weekend as the Centerpiece selection of the NY Film Festival, and seeing as I have every intention of hauling my sleeping bag and lantern and Boggle game over and camping out overnight for a seat, there is no way I’m compromising a shred of my anticipation by watching Michelle Williams, Eddie Redmayne, Kenneth Branagh and the rest of the principals gathered in the film’s first trailer. But! That doesn’t mean I won’t read your inspired descriptions of what happens within. Be imaginative (how are the monster effects, for example?), be bemused (contradictions are welcome!), be funny, be candid… just be yourself in your reading of Simon Curtis’s film, which The Weinstein Company is set to release Nov. 4. I’m counting on your creativity. VERDICT: Ready… set… go. [via Yahoo!]

Mark Gordon Co. promotes execs

The Mark Gordon Co. has promoted three executives in its film and TV divisions. Brian Harvey has been promoted to senior VP of drama, television. He joined Gordon Co. last year from ABC Studios, where he helped develop ABC series including "Brothers and Sisters" and "Dirty Sexy Money." He reports to Nick Pepper, head of drama television. Allyson Seeger has been upped to VP of film. Having been with Gordon Co. since 2005, she is currently co-producing "The To-Do List," written and directed by Maggie Carey. Shara Senderoff has been promoted to veepee of new media and director of development for film. The projects she is developing include "Junkers" for Fox and "Hyde" for Skydance. Seeger and Senderoff report to Jennifer Todd, president of motion pictures for the Mark Gordon Co. Contact Andrew Wallenstein at andrew.wallenstein@variety.com

White-colored House Drama From 'Cowboys & Aliens,' 'Robot Chicken' Teams Lands at ABC

Getty ImagesJon Favreau, Roberto Orci and Seth Eco-friendly ABC has snagged an hourlong White-colored House drama project from Jon Favreau, Roberto Orci, Seth Eco-friendly and Michael Dougherty. The network constitutes a put pilot commitment for Secret Cabinet, a procedural that follows a lately-selected leader and also the "secret Cabinet," the us government's covert team of America's most elite minds who investigate and safeguard the nation from strange occurrences and "conspiracy theory details." Favreau, who'll write, may even direct. Orci, Eco-friendly and Dougherty may even write, along with executive creating. The project marks a reunion of sorts for Favreau and Orci, who teamed around the large-screen adaptation of Cowboys & Aliens this year's summer season. Orci's writing and creating partner, Alex Kurtzman, assists becoming an executive producer round the project along with Louise Kadin (Fox pilot Exit Strategy) and Matt Senreich (Robot Chicken). Dougherty formerly composed Superman Returns and X2, while Eco-friendly created Adult Frolic in the water's Robot Chicken. Secret Cabinet arises from K/O Paper Products and 20th TV. Jon Favreau Seth Eco-friendly Roberto Orci Alex Kurtzman

European Court Rules Today That Selling Movie/TV Privileges Country-By-Country Violates Spirit Of Single European Market

This morning decision through the European Court Of Justice in Luxembourgcould derail the way in which most independent films and Television shows are funded now and finish the pre-selling territorial privileges upfront. That’s becausethe courtruled that selling movie and TV privileges country-by-country is the opposite of the spirit from the single European market.It might also imply that Hollywood galleries may have the ability to sell Europe-wide pay-TV licences for movies, instead of striking handles individual tv stations. The ECJ stated this exclusive system of licences is unlike EU law because the whole thrust from the Eu would be to let the single market. The Ecu court also ruled that there's absolutely nothing to stop audiences from having to pay for cheaper pay-TV movie and sport shows beamed in from elsewhere in Europe. To any extent further, they're not going to need to pay BSkyB within the United kingdom or Canal+ in France but tend to buy cheaper. Around the face from it, this really is not so good news for Large Content, one TV analyst informs me. The ruling implies that restricting privileges geographically is restraint of trade in single market. Out of this ruling, it might appear that, if a person wanted to utilize a foreign satellite decoder to look at a film or TV series, and therefore bypass the neighborhood privileges holder, there'd be absolutely nothing to stop them. The modern rulingcomes becausean British pub landlady fought against United kingdom pay-TV giant BSkyB and also the soccer Premier League and won, once they attempted preventing her from showingsoccer matches on her behalf premises utilizing a Greek pay-TV decoder card.The Portsmouth lady, KarenMurphy, was penalized for breaking United kingdom copyright laws and regulations. But she become a huge hit. As well as in 2008 the United kingdom High Court known the situation towards the ECJ. The worry now's that more compact tv stations is going to be squashed out if privileges are only able to be licensedacross Europe. Just the greatest gamers can afford to get this done, wrecking more compact and much more local broadcasting marketplaces. One European policy expert informs me: This is a black day for pay-TV because it effectively declares illegal any agreement that will safeguard territorial exclusivity through stopping the purchase and employ of decoding hardware from another EU country. The business design for live sports privileges will have to become considerably rethought.